I am one of those person who was born into recorded music. In
1960’s onwards recorded music completely took over human society, worldwide,
making millionaires out of artists. My first introduction to music was
through recorded LP’s of Lata Mangeshkar and Hemant Kumar , popular
singers in those years and probably greatest ever. Over the years I have
listened to many types of music from all over the world , from tunes of
Indonesia to pipes of Inca’s , US rock and roll to Indian classical music . You
name it, but they were always recorded. At first during my childhood it was the
record player’s with LP’s having beautifully designed covers and woody tonal
quality of the emanated sound , then the tape recorders with cassettes and now
crystal clear ethereal sounding CD’s and digital music. I don’t remember
ever listening to live music, I mean music straight from the instruments or
voice to my ears.
Recorded music is always perfect, designed with deliberation and
carry across the message as it is intended by the artist. It is not a living
thing, no loose structure, improvisation of the moment or errors exposing human
fragility. It is always impeccable with predefined sound vibrations and tonal
patterns that always reliably affected my consciousness. So when I close
my eyes, sometimes, my head fill-up with the tunes that I have listened to over
and over again either by choice or forcibly. India , in particular Kolkta where
I grew up , on every conceivable occasion be it local club soccer tournament or
Pujo it was always a necessity to broadcast music over a contraption popularly
called ‘mike’ . In the process you were forced to listen to the latest popular
numbers. I liked them. I liked them all and absorbed them into my soul without
any apprehension. Not only that, I wanted more and went on to collect tunes,
different tunes, varied tunes which I gathered, listened and soaked in them. It
was the love.
My love for music, a love which was always transmitted and
consumed through a machine. As the songs and tunes soared through my heart
lifting me, taking me across in long flights of pure imagination and emotion, I
never once thought of wanting to meet the singer or musician. Is it that I did
not want to include the producer of the music in my very personal precious experience,
which itself I wanted to memorize in my mind forever? So now, after many years,
when I listen to certain tunes I hark back to those lonely teen days where sitting on rooftop,
under afternoon shade, I would lie back, listening to music, shutting my eyes
and feel the warm breeze of summer holidays under my nose.
I know it is just that. Is it just that? Yes it is personal very
personal. Like the process of rumination over words before writing them down on
pieces of paper as poems.
Growing up in lower middleclass of Kolkata , live music that I
could ever afford was also not direct. Singers propped up on makeshift stages or
stadiums singing through big speakers, that was the music, performed in
front of us. It was not just music but the people, the surroundings, the
atmosphere, the musicians response to his audience, everything. We listened to
the whole lot including the sound of the space in which all these was
happening. An experience, different one, but not music. I abhorred those
concerts.
I always thought, how it will feel to sit in front of Ghulam Ali
and listen to him singing the gazals directly to me or have Sandhya
Mukhopadhyay lift me up with her lilting voice. I wanted to listen to their
songs directly, in full form, three dimensional sounds, surrounding my head and
ears and extend my fingers to touch their soul. Merge my soul in their taste,
smell, feelings, tunes. That would have been true love transmitted between us
and without the machine.
That I could not afford. Till then recorded music stays,
intermingled with my life’s small things as the very personal fragrance of my
soul. So more realistic and warm the recordings are, better it is.
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